Modern Theories of Art 2 From Impressionism to Kandinsky, sztuka i nie tylko po angielsku
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Modern Theories of Art, 2
By the Same Author
The Language of Art: Studies in Interpretation
(New York, 1997)
Icon: Studies in the History of an Idea
(New York, 1992, 1995)
Imago Hominis: Studies in the Language of Art
(Vienna, 1991; New York, 1995)
Modern Theories of Art, 1: From Winckelmann to Baudelaire
(New York, 1990)
Giotto and the Language of Gesture
(Cambridge, 1987, 1988, 1990)
Theories of Art: From Plato to Winckelmann
(New York, 1985)
Light and Color in the Italian Renaissance Theory of Art
(New York, 1978)
Gestures of Despair in Medieval and Early Renaissance Art
(New York, 1976)
Crusader Figural Sculpture in the Holy Land
(New Brunswick, 1972)
Modern Theories
of Art, 2
From Impressionism to Kandinsky
Moshe Barasch
NEW YORK UNIVERSITY PRESS
New York and London
NEW YORK UNIVERSITY PRESS
New York and London
Copyright © 1998 by New York University
All rights reserved
Library of Congress Cataloging-in-Publication Data
Barasch, Moshe.
Modern theories of art, 2 : from Impressionism to Kandinsky
Moshe Barasch
p. cm.
Bibliography: p.
Includes indexes.
ISBN 0-8147-1272-x (alk. paper) ISBN 0-8147-1273-8 (pbk.: alk. paper)
1. Art—Philosophy. 2. Aesthetics, Modern. I. Title
New York University Press books are printed on acid-free paper,
and their binding materials are chosen for strength and durability.
Manufactured in the United States of America
0987654321
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